Kx2 Ruth Avra & Dana Kleinman | Kolga | 2024

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Josef Albers, Homage to the Square: Portfolio 2 Folder 27; from Formulation Articulation; edition 238/1000, 1972

screenprint on Mohawk Superfine Bristol paper, 15 x 40 inches (paper) / 17 x 42 inches (framed)

00061

2 / 32

Harry Benson, Dolly Parton, Nashville, edition 16/35, 1976

Archival Pigment Photograph, 22 x 17 inches / 30 3/4 x 25 3/4 inches framed (+$250 frame)

“Dolly Parton makes everyone feel right at home with a down-home welcome when she meets you. She was getting ready for me to photograph her. I walked over to ask when she would be ready and saw her standing near a window, putting on the finishing touches of her make-up. I said, “Dolly, don’t move, just keep doing what you are doing,” and she obliged. It was a completely natural picture, no lights were set up, yet it was the one I liked best from that day.” – Harry Benson

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Harry Benson, Beatles Composing Times Three, Vertical; edition3/20, 1964

Infused Dye Sublimated on Aluminum, 60 x 25 inches / 62 x 27 inches framed (+$1,000 frame)

BENS00103

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Stanley Boxer (Estate), Blanchedcrustingspringentrance, 1981

Mixed media on canvas, 80 x 22 in.

BOXE0144

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C Dutch, Etheralis, 2026

Mixed Media on Lucite Box, 26 x 26 in.

DUTC00017

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C Dutch, Resonate, 2026

Mixed Media on Lucite Box, 32 x 32 in.

DUTC00018

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C Dutch, Chroma A and B, 2025

Mixed Media in Lucite Box, 72 x 16 inches each panel

DUTC00009

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Lynn Chadwick, Sitting Woman in Robes II (C53); edition 2/9, 1987

Bronze, 9 1/2 x 13 1/4 x 10 1/2 in.

Monumental in posture, despite the sculpture's modest scale, and rendered with Chadwick's signature geometric clarity, the figure is composed of angular faceted planes and a sharply pyramidal head that abstracts the human form. Draped in rigid architectural robes that flow over a stepped base, the robes become part of the sculpture's structure, anchoring the figure in place while offering a rhythmic texture that contrasts with the sharp precision of the triangular head and shoulders. The contrast between fluidity and geometry speaks to Chadwick's mastery of balance between human softness and architectural form.

CHAD00056

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Dan Christensen (Estate), Untitled 391M9, 1991

Acrylic on canvas, 60 x 30 in.

CHRI00097

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Gabriel Delgado, Whispering Trees, 2026

Graphite on canvas, 36 x 48 in.

DELG00014

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Gabriel Delgado, My Hands Move Like Whispers Over Your Curves

, 2024

Mixed Media, graphite, chalk, acrylic paint on stretched canvas., 36 x 48 in.

DELG00010

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Max-Steven Grossman, Art ZE; edition 2/5, 2026

diasec mounted photo, 37 x 75 in.

GROSS01120

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Max-Steven Grossman, Rock EG; edition 3/5, 2026

diasec mounted photo, 37 x 75 in.

GROSS01119

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Max-Steven Grossman, Israel SQ WB; edition of 5 + 2 AP, 2024

diasec mounted photo, 48 x 53 in.

GROSS00914

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Max-Steven Grossman, Golf V; edition 4/5, 2020

diasec mounted photo, 75 x 39 in.

GROSS01099

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Jill Hotchkiss, Earthbound, 2026

gold leaf and ink on Arches archival cotton paper, 30 x 22 in. paper / 36 x 28 inches framed

HOT00011

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Jill Hotchkiss, Gilded Lilly 02, 2026

gold leaf on Arches archival cotton paper, 30 x 22 in. paper / 36 x 28 inches framed

HOT00009

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Jill Hotchkiss, Gilded Lilly 03, 2026

gold leaf on Arches archival cotton paper, 30 x 22 in. paper / 36 x 28 inches framed

HOT00010

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Jill Hotchkiss, Untitled, 2026

gold leaf and ink on Arches archival cotton paper, 30 x 22 in. paper / 36 x 28 inches framed

HOT00012

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Paul Jenkins, Phenomena Mirror Mirror, c. 1984

Watercolor on paper, 43 x 31 inches / 47 x 35 inches framed

JENK00008

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Alex Katz, Ada Four Times #1-4; edition 5/120, 1979-1980

Lithograph and screenprint on Arches Cover Paper, 30 x 22.5 inches (paper) / 40.5 x 32.75 inches (framed) each

KATZ00201

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Kx2 Ruth Avra & Dana Kleinman, Sand Key, 2026

soft gold powder-coated repurposed industrial pipe with acrylic and mixed media on wood, 10 1/2 x 72 1/2 in.

Kx200091

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Kx2 Ruth Avra & Dana Kleinman, Summer Echo - 21 elements, 2026

Stainless steel with mixed media, dimensions variable - each element has 6.5 inch diameter

Kx200097

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Kx2 Ruth Avra & Dana Kleinman, Kolga, 2024

Repurposed industrial pipe with acrylic on wood, dimensions variable - each element measures 10.5 inches

Kx200082

Donald Martiny, Lumbee, ca. 2019
polymer and pigment on aluminum, 47 x 63 in.
Donald Martiny – Lumbee, ca. 2019
Medium: Polymer and pigment on aluminum
Dimensions: 47 x 63 in.

Donald Martiny’s Lumbee (ca. 2019) is a dynamic sculptural painting that exemplifies his signature gestural abstraction. Created with polymer and pigment on aluminum, this large-scale work transcends the boundaries of traditional painting by freeing the brushstroke itself, allowing it to exist as an independent sculptural form. The energetic movement of Lumbee is captured in thick, sweeping strokes, where Martiny’s process-driven approach emphasizes materiality, physicality, and spontaneity.

The striking color contrast—bold red layered over metallic silver-gray—creates a visually engaging composition that exudes rhythm and intensity. The intertwined, looping gestures suggest movement and fluidity, reinforcing the expressive freedom of Martiny’s technique. This sculptural painting seamlessly blends painting and sculpture, pushing the limits of abstraction in contemporary art.

Martiny’s works are collected internationally, with pieces featured in prestigious private, corporate, and institutional collections, including a permanent installation at One World Trade Center in New York. His innovative approach continues to redefine contemporary painting, making Lumbee a compelling acquisition for collectors and art enthusiasts alike.

Discover Lumbee and other works by Donald Martiny exclusively at Sponder Gallery, a premier destination for contemporary abstract and sculptural art.

Donald Martiny, Lumbee painting, 2019 contemporary art, polymer pigment painting, aluminum sculpture painting, gestural abstraction, contemporary abstract expressionism, Donald Martiny artist, large-scale paintings, Sponder Gallery, abstract sculptural painting, investment art, modern abstract painting, international contemporary artists, textured art, innovative contemporary sculpture, red and silver abstract painting.
MART00140

Donald Martinyâ€™s Lumbee (ca. 2019), a large-scale abstract sculptural painting featuring bold red and silver-gray sweeping brushstrokes, created using polymer and pigment on aluminum, measuring 47 x 63 inches. A contemporary gestural artwork available at

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Donald Martiny, Lumbee, ca. 2019

polymer and pigment on aluminum, 47 x 63 in.

Donald Martiny – Lumbee, ca. 2019 Medium: Polymer and pigment on aluminum Dimensions: 47 x 63 in. Donald Martiny’s Lumbee (ca. 2019) is a dynamic sculptural painting that exemplifies his signature gestural abstraction. Created with polymer and pigment on aluminum, this large-scale work transcends the boundaries of traditional painting by freeing the brushstroke itself, allowing it to exist as an independent sculptural form. The energetic movement of Lumbee is captured in thick, sweeping strokes, where Martiny’s process-driven approach emphasizes materiality, physicality, and spontaneity. The striking color contrast—bold red layered over metallic silver-gray—creates a visually engaging composition that exudes rhythm and intensity. The intertwined, looping gestures suggest movement and fluidity, reinforcing the expressive freedom of Martiny’s technique. This sculptural painting seamlessly blends painting and sculpture, pushing the limits of abstraction in contemporary art. Martiny’s works are collected internationally, with pieces featured in prestigious private, corporate, and institutional collections, including a permanent installation at One World Trade Center in New York. His innovative approach continues to redefine contemporary painting, making Lumbee a compelling acquisition for collectors and art enthusiasts alike. Discover Lumbee and other works by Donald Martiny exclusively at Sponder Gallery, a premier destination for contemporary abstract and sculptural art. Donald Martiny, Lumbee painting, 2019 contemporary art, polymer pigment painting, aluminum sculpture painting, gestural abstraction, contemporary abstract expressionism, Donald Martiny artist, large-scale paintings, Sponder Gallery, abstract sculptural painting, investment art, modern abstract painting, international contemporary artists, textured art, innovative contemporary sculpture, red and silver abstract painting.

MART00140

Artist: Donald Martiny
Title: Lumbee
Year: ca. 2019
Medium: Polymer and pigment on aluminum
Dimensions: 47 x 63 in.
Availability: Available through Sponder Gallery

About the Artwork:

Donald Martiny’s Lumbee (ca. 2019) is a striking example of contemporary gestural abstraction, where painting and sculpture merge to create a bold, freeform composition. Constructed with polymer and pigment on aluminum, this large-scale piece liberates the brushstroke from the constraints of a traditional canvas, allowing it to exist as a sculptural form.

The composition features a dynamic interplay of color and texture, with bold red sweeping gestures overlaying interwoven silver-gray strokes. The layering and movement in Lumbee create a sense of rhythm and energy, making this work a visually compelling statement piece. Martiny’s technique emphasizes physicality and spontaneity, capturing the essence of action painting while redefining its material presence in contemporary art.

About the Artist:

Donald Martiny is an internationally recognized artist known for his innovative approach to abstraction. His sculptural paintings have been exhibited worldwide and are included in major collections, including a permanent installation at One World Trade Center in New York. By eliminating the canvas and working directly with polymer and pigment on aluminum, Martiny challenges the traditional limitations of painting, creating immersive, movement-driven artworks.

Exhibition & Collection Highlights:

Permanent collection, One World Trade Center, New York
Exhibited in leading contemporary galleries, museums, and art fairs
Collected by prominent private and corporate collectors worldwide

Donald Martiny, Lumbee 2019, abstract expressionist painting, polymer pigment on aluminum, contemporary abstract art, large-scale sculptural painting, contemporary art for sale, Sponder Gallery, art collectors, high-end abstract art, investment art, modern abstract expressionism, red and silver abstract painting, textured sculpture painting, innovative contemporary art, gestural abstraction, international contemporary artists.

Donald Martiny, Waccamaw, ca. 2018
polymer and pigment on aluminum, 51 x 74 in.
Donald Martiny’s Waccamaw (ca. 2018) is an exceptional example of his signature gestural abstraction, where movement, texture, and color merge into a sculptural form. Measuring 51 x 74 inches, this large-scale painting, created with polymer and pigment on aluminum, showcases Martiny’s ability to break free from traditional canvas constraints. The striking ultramarine blue brushstrokes highlight the raw energy of his process, embodying a sense of fluidity and spontaneity.

Sponder Gallery is proud to present Waccamaw, a testament to Martiny’s commitment to pushing the boundaries of contemporary abstraction. His works, which challenge the intersection of painting and sculpture, are held in major collections, including installations at One World Trade Center in New York.

Collectors and contemporary art enthusiasts looking for Donald Martiny artwork for sale, abstract sculptural paintings, gestural abstraction art, and large-scale contemporary paintings will find Waccamaw to be an extraordinary addition to any space or collection.

Donald Martiny, Donald Martiny art for sale, Donald Martiny paintings, contemporary abstract art, gestural abstraction, sculptural paintings, polymer and pigment paintings, aluminum paintings, Sponder Gallery, modern art gallery, large-scale abstract art, fine art collection, investment art, high-end contemporary art, textured abstract painting, avant-garde abstract painting, fluid brushstroke painting, contemporary expressionism.
MART00132

Donald Martiny Waccamaw (2018), a large-scale abstract sculptural painting with bold ultramarine brushstrokes, created with polymer and pigment on aluminum. This expressive, textured artwork showcases movement and fluidity, available at Sponder Gallery.

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Donald Martiny, Waccamaw, ca. 2018

polymer and pigment on aluminum, 51 x 74 in.

Donald Martiny’s Waccamaw (ca. 2018) is an exceptional example of his signature gestural abstraction, where movement, texture, and color merge into a sculptural form. Measuring 51 x 74 inches, this large-scale painting, created with polymer and pigment on aluminum, showcases Martiny’s ability to break free from traditional canvas constraints. The striking ultramarine blue brushstrokes highlight the raw energy of his process, embodying a sense of fluidity and spontaneity. Sponder Gallery is proud to present Waccamaw, a testament to Martiny’s commitment to pushing the boundaries of contemporary abstraction. His works, which challenge the intersection of painting and sculpture, are held in major collections, including installations at One World Trade Center in New York. Collectors and contemporary art enthusiasts looking for Donald Martiny artwork for sale, abstract sculptural paintings, gestural abstraction art, and large-scale contemporary paintings will find Waccamaw to be an extraordinary addition to any space or collection. Donald Martiny, Donald Martiny art for sale, Donald Martiny paintings, contemporary abstract art, gestural abstraction, sculptural paintings, polymer and pigment paintings, aluminum paintings, Sponder Gallery, modern art gallery, large-scale abstract art, fine art collection, investment art, high-end contemporary art, textured abstract painting, avant-garde abstract painting, fluid brushstroke painting, contemporary expressionism.

MART00132

Artwork Details

Artist: Donald Martiny
Title: Waccamaw
Year: ca. 2018
Medium: Polymer and pigment on aluminum
Dimensions: 51 x 74 in.
Availability: Available for acquisition through Sponder Gallery

About the Artwork

Donald Martiny’s Waccamaw (ca. 2018) is a bold and dynamic sculptural painting that exemplifies the artist’s innovative approach to gestural abstraction. This 51 x 74-inch artwork, executed in polymer and pigment on aluminum, is dominated by a striking ultramarine blue palette, emphasizing texture, movement, and expressive freedom. By removing the traditional canvas, Martiny allows the brushstroke to become an autonomous sculptural form, creating an immersive experience for viewers.

The sweeping motion of Waccamaw conveys both control and spontaneity, transforming space with its fluid energy. This work is a prime example of Martiny’s celebrated technique, which has been widely exhibited and collected by prestigious institutions and private collectors worldwide.

About the Artist

Donald Martiny is a leading contemporary artist known for his large-scale sculptural paintings that redefine the boundaries of traditional abstraction. His works are included in prominent collections and installations, including One World Trade Center in New York. Through his use of polymer and pigment on aluminum, Martiny captures the essence of movement and energy, making his artworks highly sought after in the contemporary art world.

Why Collect This Work?

Innovative Sculptural Painting: Waccamaw merges painting and sculpture, offering a unique and dynamic visual experience.
Museum-Quality Art: Donald Martiny’s works are featured in prestigious collections and international exhibitions.
Expressive & Impactful: The bold ultramarine brushstrokes and sweeping composition make this artwork a statement piece in any space.

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James Austin Murray, Steely Glint, 2020

Oil on board, 48 x 48 in.

MURR00029

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Larry Poons, Lambs Progress, 1984

acrylic and sponge on canvas, 33 x 30 in.

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Donald Sultan, Blue Poppies Horizontal; edition of 25, 2026

Shaped aluminum with acrylic polyurethane paint and stainless steel centers mounted on stainless steel base, 20 x 34 x 3 1/2 in.

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Tigran Tsitoghdzyan, Mirror II, 2023

Mixed media, 50 x 35 inch paper, 58 x 43.5 inches frame (+$1,650 frame)

TSIT00063

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Boaz Vaadia, Oded 2nd; (#143), edition 7/7, 2016

Bronze, Bluestone and Boulder, 11 x 21 x 15 in.

Boaz Vaadia’s Oded 2nd (#143) (2016) is a masterful bronze, bluestone, and boulder sculpture that exemplifies the artist’s signature stacked stone technique. This editioned work (7/7) measures 11 x 21 x 15 inches and features a reclining human figure resting against a natural boulder, symbolizing tranquility, resilience, and the organic connection between humanity and nature. Vaadia’s meticulous use of layered materials gives Oded 2nd (#143) a geological quality, resembling stratified rock formations that have withstood time. The harmonious balance between the figure and the stone reinforces themes of meditation, stability, and the enduring presence of nature in human existence. Vaadia’s sculptures are housed in prestigious museum collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art. Collectors searching for Boaz Vaadia artwork for sale, bronze and bluestone sculptures, stacked stone contemporary art, and minimalist figurative sculptures will find Oded 2nd (#143) to be a significant and collectible work of art. Boaz Vaadia, Boaz Vaadia sculptures, Boaz Vaadia art for sale, contemporary stone sculptures, bronze and bluestone sculptures, stacked stone figurative sculptures, modern figurative sculpture, Sponder Gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist contemporary art, outdoor bronze sculptures, small-scale contemporary sculpture, reclining figure sculpture, stacked stone abstraction, natural material contemporary sculpture.

VAAD00183

Artwork Details

Artist: Boaz Vaadia
Title: Oded 2nd (#143)
Year: 2016
Edition: 7/7
Medium: Bronze, Bluestone, and Boulder
Dimensions: 11 x 21 x 15 in.
Availability: Available for acquisition through Sponder Gallery

About the Artwork

Boaz Vaadia’s Oded 2nd (#143) (2016) is a compelling figurative sculpture that captures the essence of peaceful repose. The reclining figure, composed of stacked bronze and bluestone layers, leans against a natural boulder, reinforcing Vaadia’s philosophy of integrating art with nature.

The organic formation of the figure, combined with the raw beauty of the materials, evokes a meditative stillness. The stacked stone elements create a dynamic yet stable visual effect, emphasizing the passage of time and the interconnectedness of human existence with the natural world.

This editioned work (7/7) is ideal for collectors of contemporary sculpture, figurative abstraction, and natural material aesthetics.

About the Artist

Boaz Vaadia (1951–2017) was an internationally recognized sculptor known for his innovative use of natural materials and distinctive stacked stone technique. His works are featured in major public and private collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Bass Museum of Art.

Why Collect This Work?

Symbolic & Meditative: Oded 2nd (#143) conveys themes of rest, connection, and harmony with nature.
Museum-Quality Artwork: Vaadia’s sculptures are exhibited in major institutions worldwide.
Unique Material Composition: The fusion of bronze, bluestone, and natural boulder enhances the sculpture’s timeless aesthetic.

Boaz Vaadia, Boaz Vaadia art for sale, Boaz Vaadia sculptures, contemporary bronze sculptures, stacked stone figurative sculpture, modern abstract sculptures, public art installations, bronze and stone figurative sculpture, contemporary abstract sculpture, limited edition sculptures, Sponder Gallery, modern art gallery, fine art collection, investment art, high-end contemporary art, meditative contemporary sculpture, minimalist modern sculpture, contemporary figurative sculpture, reclining figure stone sculpture, natural material sculpture.

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Boaz Vaadia, Hanokh (#112), edition of 7 + 2 AP, 2011

Bronze and Bluestone, 12 1/2 x 11 1/2 x 9 1/2 in.

Boaz Vaadia – Hanokh (#112) (2011), Bronze and Bluestone Boaz Vaadia’s Hanokh (#112) (2011) exemplifies the artist’s unique sculptural technique, utilizing bronze and bluestone to create a layered, stratified form that mimics the natural sedimentation of stone. This seated figure sculpture, measuring 12.5 x 11.5 x 9.5 inches, is part of an edition of 7 + 2 artist proofs, showcasing Vaadia’s mastery in harmonizing nature with the human form. Inspired by the geological formations of stacked rock found in nature, Hanokh exudes a meditative presence, making it a striking addition to any contemporary art collection. A master of modern figurative sculpture, Boaz Vaadia (1951–2017) was renowned for his use of organic materials to evoke the intrinsic connection between humanity and nature. His works are featured in prestigious collections, including the Metropolitan Museum of Art, the Brooklyn Museum, and the Israel Museum. Perfect for collectors seeking museum-quality bronze sculpture, this piece embodies Vaadia’s earth-driven aesthetic. Available now at Sponder Gallery, Hanokh (#112) offers a timeless blend of ancient influences and contemporary artistry.

VAAD00246

Work Information – Boaz Vaadia, Hanokh (#112) (2011)

Artist: Boaz Vaadia (1951–2017)
Title: Hanokh (#112)
Year: 2011
Medium: Bronze and Bluestone
Dimensions: 12.5 x 11.5 x 9.5 inches
Edition: 7 + 2 AP (Artist’s Proofs)
Signature: Incised signature on base
Availability: Available at Sponder Gallery

Description & Artistic Context:

Boaz Vaadia’s Hanokh (#112) is a striking example of contemporary figurative sculpture, embodying a meditative seated figure sculpted in layered bronze and bluestone. His signature style replicates the geological stratification of natural rock formations, reinforcing the harmony between human presence and the natural world.

This work is part of an exclusive edition of 7 + 2 artist proofs, making it a sought-after acquisition for collectors of modern bronze sculpture. Vaadia’s art is celebrated for its organic textures and monumental yet intimate aesthetic, with works housed in major museum collections, including:
âœ”ï¸ The Metropolitan Museum of Art
âœ”ï¸ The Brooklyn Museum
âœ”ï¸ The Israel Museum